By the turn of the century the firm had added old master paintings to the inventory and in the 1920's my uncle Hans moved to Paris where he started dealing in French 18th century furniture and objets d'art.

When Hitler came to power I. Rosenbaum set up shop in Amsterdam, Saemy opened a place of business with his brother Raphael in London, and, in 1939, my father started the gallery in New York. After World War II started Saemy and Hans came to New York.

Over the years the firm developed access to many important collections, dealing with families such as the Rothschilds, who also originated in Frankfurt. After World War II many great European families needed funds to rebuild their properties and their lives so the Rosenbergs and Stiebels often acted as agents bringing great works of art from Europe to the U.S.

When families like the Rothschilds sold, museums and collectors took full advantage of the opportunities afforded by these deaccessionings. Many of the acquisitions made by private collectors such as Jayne and Charles Wrightsman and J. Paul Getty were later donated to museums (the Wrightsmans to the Metropolitan and Getty to his own institution). In one instance, a pair of Fragonards, sold by the French Rothschilds, ended up as stellar pieces split between the Thyssen Collection, now in the museum in Madrid and the Toledo Museum of Art... no not the town near Madrid but rather the great mid-western museum in Ohio!

By the 1950's dealers started to specialize but the Rosenbergs and Stiebels continued to enjoy dealing the old fashioned way, in many different areas, but always keeping to the highest standard of quality. They were therefore very proud of selling to museums or collectors who would donate or leave their collections to museums. Over 300 works of art from our gallery are in the Metropolitan Museum of Art in New York and we sold over 100 works directly to the Cleveland Museum of Art.

My uncle died in 1964 and Saemy Rosenberg in 1970. A few years later I married an enthusiastic young curator, Penelope Hunter, who was in the Western European Arts Department at the Metropolitan Museum. After 13 years there and several as an independent curator and writer, during which time she translated Pierre Verlet's standard work on French 18th Century Furniture, she finally joined my father and me at Rosenberg & Stiebel!

Together we pursued the family tradition of giving meaning to the term "museum quality". Though we are best known for our expertise in the arts of 18th century France, over 125 years of experience allow us to continue in a wide range of European Paintings, drawings, sculpture and decorative arts.

In 2000 everything changed.  Starting with a move to a town house from which to deal privately and the change of the corporate name to Stiebel, ltd.

After the success of the Stroganoff Exhibition, curated by my wife for the Portland Art Museum in Oregon, she returned to museum work full time.

My father having been a principal of the family firm for almost seventy years, and active until his last day, passed away that September.

Having been left on my own, I continue to be excited by finding "museum quality" treasures for clients we have known for generations, as well as new enthusiastic collectors, and I am enjoying welcoming them to our new home.

-Gerald G. Stiebel